Other pages about other videos but only in French for the moment : here
"MAL
AUX PIEDS" ("MY FEET HURT") - SHORT MOVIE
Description
- News
- Diffusions
- Message
- Bonus
- Anecdotes
- Team
- Thanks
Start
: 06/2004
End
:
12/2004
N° RPCA :
112790 - Director
: Julien Daillère
Status :
The short movie is now
finished. We do our best to get it displayed as
much as we can.
|

©
FilmacoZ
|
|

© P-A
Danis
|
|

© P-A
Danis
|
Description
:
One after the other, soldiers are beating a war prisoner up while their
chief is looking on. Everything stops when one of them refuses to go
on, giving a pain in his feet as an excuse. The movie is inspired by
images displayed in spring 2004 about abuses on war prisoners in Abou
Ghraib in Iraq. The shooting took place on 09/25/2004 in Paris with a
Sony VX 2000 camera (and a Super 8…).
*** TOP OF PAGE ***
Diffusions
:
Planned :
Past
:
10/06/2006 : VIIIth
Festival du court métrage de Valbonne (Not in
competition)
- Valbonne
06/05/2006 : Diffusion par Café
lumières
dans le cadre de la programmation d'une sélection du Festival
Nouveau Cinéma à la Maison Internationale de Rennes
15-18/11/2005
: International Experimental
Film Festival "Carbunari 2005"
(Romania)
organized by
Florean
Museum
17-27/10/2005
: III
International Festival of Cinema and Human
Rights
(Espagne)
01/11/2005
: Ciné
Gilou,
at 18:00, as first
part of "Punishment park" (Peter Watkins) in bar La Caravane - 35, rue
de la Fontaine au Roi - 75011 Paris
08-09/10/2005
: M'as-tu-vu,
projection of short
movies in bars and in a cultural place
in La Rochelle / France
08-09/10/2005
: Festi'VAL
D'OISE du Court in Cinéma Le
Conti in L'Isle d'Adam (95 - France)
02-10/09/2005
: Off-Courts Trouville Festival -
6th meeting of short movies France / Quebec - Programme
"Politik"
12/08/2005
: Leith
Film Festival
at 19:30 in Edinburgh - Scotland
08/07//2005
: Les Jours J
d'Orléans
at 16:00 -
Musée des Beaux-Arts of Orléans
17/06/2005
: Festival
Nouveau Cinéma
at 17:00 - Université Paris 2
: 92, rue d'Assas - 75006 Paris - France
15/06/2005
: Festival
Nouveau Cinéma at 20:00 - Forum
des Images
: Forum des Halles - Place Carrée - 75001 Paris
- France
14/06/2005
: Festival
Nouveau Cinéma
at 20:00 - Studio
des Ursulines
: 10, rue des Ursulines - 75005 Paris - France
19/05/2005
: La
Nuit du court métrage
by Bulldog Association - Amiens
13/05/2005
: Projection "Les
yeux dans l'Oreille"
by L'Oreille qui Traîne - Rouen
12-13-14/05/2005
: 4th Altkirch short movie
Festival
- Altkirch / Alsace
29/04/2005
: 4th Orléans Video Festival
- Friday 29. April at 20:00 at the Place d'Arc UGC Pictures in
Orléans (2, Pl. Nicolas Copernic).
09/04/2005
: Festival
Clap 89 - Saturday 9. April at
14:30 at
the
Théâtre municipal of Sens (21 bis, bd des
Garibaldi).
03-04/04/2005
: the
3rd International Human Rights Film Festival of Paris
- Sunday 3. April at 20:30 and Sunday 4. April at 14:30 at
Cinéma Bastille (4, rue du Faubourg Saint-Antoine, 75011
Paris) as first part of the long movie "Baghdad 2003" (documentary) by
Incounter Productions Collective. Followed by a public discussion with
the directors.
22/03/2005
: Nuit des Arts - Tuesday 22. March at 20h30 at La Loco -
Paris
28/01/2005
: Projection "Arkham
& co"
- Friday 28. January at 19:00 - Paris
27/01/2005
: Projections Courts - Thursday 27. January at 20h30 at UGC
Ciné Cité Bercy Pictures - Paris : Prix
spécial du jury
Message
:
Why start with
faces
alone?
The goal of this short movie was to show men and women first, before
telling what they are doing (beating a prisoner). When medias denounced
the mistreatments of Abou Ghraib in Iraq, the soldiers involved were
immediately associated with their acts. Public opinion and medias often
talked about them as "inhuman", as if they were not part of humanity.
But this is a way to reassured oneself and not to feel concerned.
Through this short movie, I tried to get those men and women back to
men and women so that anyone can feel concerned by what others did.
This is not a way to excuse what they did. To underline that they are
men and women, that they stay part of humanity, is a way to insist on
the fact that they are responsible for what they did. It is also a way
to let anyone ask themselves about what they would have done in such a
situation of collective violence.
What
do the videos / photos during the end
titles mean?
Those short videos that
end with a photo featuring a soldie posing in front of a dead man are
inspired of an array of real photos. Soldiers in Abou Ghraib did
actually posed the same way. They posed and smiled in front of the body
of a dead man. Among several details from the real photos are : the
small wound of the dead prisoner at the temple, the gauze on his eyes,
turquoise gloves and black cap for the soldiers, their smiles, their
poses and their thumbs up. To see two reference photos, please click on
the following links : photo
1
- photo
2
(we don't present those photos on this website out of property right
reasons).
The goal was to remind people of these photos, that were largely
diffused and then disappeared. These pictures also remind of the state
of mind in which some abuses committed in Abou Ghraib were made. After
a short movie that presents hesitating soldiers, those pictures are a
little bit at the opposite, showing soldiers proud of what they do and
having fun by doing it. Like reality, this short movie is neither
white, neither black.
What
are the sentences under the photos for?
Between the ridiculous undertitles (comments) of real-tv shows and the
"like / dislike" of Amelie movie, those sentences may, at first sight,
make lough. These sentences are, in comparaison with the photos like
the smiling soldier with the dead man : they are unwarrantedly
ridiculous. They also aim at showing that those men and women had a
life before Abou Ghraib and that they made choices in their daily life,
choices sometime against the will of relatives, of a group or against a
norm.
***
TOP OF PAGE ***
Bonus
:
Photos of the movie and of the set are available on the Website of the
set-photographer, Pierre-Alain DANIS : click
here
Details
:
Super
8 or not?
An incident with a roll obliged us to use only pictures from the DV
camera. Luckily, the all the scenes filmed with the Super 8 camera were
simultaneously filmed with the DV camera. This enabled us to use the DV
pictures with a "Super 8 filter" (made by Nathanaël in
post-production).
What
did they kick?
During the shooting, the actors had a bag full of sand which they were
kicking during the "Super 8" pictures.
How
long did the shooting last?
One week-end : 25th-26th of September 2004. Saturday afternoon was for
rehearsals, to get interactivity and complicity between the actors as
they would have to pretend being in a group energy the day after. They
didn't know each other and I wanted them to get in touch first before
shooting the film, as it is "collective" violence. It's about group so
I had to make them feel a group. So we spent one afternoon kicking in
the bag, talking about how we felt about it and trying to build
different characters psychologies.
On Sunday, the shooting lasted the whole day. Between the actors, there
was a good complicity, sometime too much and it caused some
concentration problems (!). But this was the price to pay to get a
minimum of credibility about their knowing each other and living with
each other in a strong group. This was the main goal.
Pimples
and shadows under the eyes for the actors? Skin problems or make up?
Concerning the tired faces and the pink irritation pimples on the skin,
it was make up. Soldiers on the war field are logically tired and
tensed. The skin had to reflect this situation. This was the task of
Katty. The back of the prisoner on the ground was also something to
work on for Katty. And she did a good job.
*** TOP OF PAGE ***
Equipe
:
|
In
oder of appearence :
A man - Erik SEBAKHI
A man - Franck MONSIGNY
A man - Julian MANIRAHO
A woman - Stéphanie SENECHAL
A man who says no - Loïc
LEFEBVRE
A man on the ground - Najib TOUAHRIA
A woman - Mélanie VIDAL
A man - Franck SUEDE
A man (voice off) - Yves DENNECY
Technical
Team :
Director / Screenplay - Julien
DAILLERE
Ass. Director / Camera operator / Editor - Nathanaël
LE SCOUARNEC
Director of photography (DV) / Chief cameraman - Benjamin RUFI
Director photography (Super 8) - Emilie LACOURT
Make up - Katty BRAILLON
Set photographer / End titles photos - Pierre-Alain
DANIS
Making of - Bruno
"Kéro" Van RENTERGHEM
Set design / Costumes - Julien
DAILLERE
Ass.
set designer -
Aurélie CHAMP and Isabelle BUSIGNY
Studio manager - Raphaël EYBERT-BOUILLIER
Translation (English) : Korre FOSTER
Subtitles (English) : Nathanaël
LE SCOUARNEC
|
|
Thanks
to :
Les
Cinéastes de la Colline
Association
GOGNOL
/ Hervé LEMAIRE
Maison
du Film Court
(MFC)
Régie Immobilière de la Ville de Paris (RIVP) :
Gilbert ULRICH, Stéphanie AMOROS,
Dominique FOULON and Marc ZIELINSKI
AXA J-L CORNET / Delphine
RVZ
/ William
Loca-Images / Patrick
Emilie LACOURT
Special
thanks to :
Kristell LOZAC'HMEUR
Yannick DANGIN-LECONTE
Boris PARDON
Johan GAUTHIER
Sébastien MACCARI
Pierre et Marie LINANT-de-BELLEFONDS
Corinne SOULIE for her advice,
Antoine FRANGE for his encourgement.
|
*** TOP OF PAGE ***
FilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZFilmacoZ
|